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Antique Italian Neoclassical Painted Candlestand from Italy circa 1890

A fantastic neoclassical antique Italian carved wooden candle stand with the original painted finish from Italy circa 1890. Please use the zoom feature to see the exceptional details that give this candle stand its unique appeal. Because this candle stand was always meant to be viewed from any direction the handsome architectural capital shows its Ionic column capital in each of the four separate corners. As the designer of this candle stand was well aware of the ruins of classical civilization the proportions of the both the column and the capital as well as the base and top platform where the candle stood are perfectly in scale to one another. This awareness is seen in the section above the capitals where the flat surface has an inverted profile on each of the four sides with the widest area over the scrolls of the capital and the more narrow inverted sections above the column itself. Note how the edge has a shaped and moulded edge as opposed to a mere squared off edge. The column has its own beauty with a fluted edge highlighted with interior carved details on the lower sections of each separate flute as well as that unique slight bulge known as "entasis" (from the early Greek) to the column itself. As the diametre of the column decreases as the column moves upward the slight bulge corrects the visual appearance of the column as a whole. The base of the column is defined by two separate and circular ring turnings before the column reaches the square base upon which it rests. The uniform square base to this column is directly taken from the classical order of architecture and provides an extremely pleasing visual finish to the overall piece. There is again a movement of wider and more narrow sections that create interest along with a handsome section of horizontal moulding distinguished by not only a fluted design but also a crossed ribbon placed in the centre of each side. The original painted finish remains upon the surface of this piece and the use of both a creamy white accentuated by a luscious green highlights the carved decorative motifs in a very effective manner. The variegated surface of the painted finish adds enormously to the appeal of this candle stand and enables it to be used as a piece of sculpture on its own or as an actual candle stick where  a burning candle will enhance its beauty.

# EEJ462

DIMENSIONS

9.25" w x 9.25" d x 39.00" h

23.50cm w x 23.50cm d x 99.06cm h

$1,612.00

A fantastic neoclassical carved wooden candle stand with the original painted finish from Italy c.1890. Please use the zoom feature offered on our website to see the exceptional details that give this candle stand its unique appeal. Because this candle stand was always meant to be viewed from any direction the handsome architectural capital shows its Ionic column capital in each of the four separate corners. As the designer of this candle stand was well aware of the ruins of classical civilization the proportions of the both the column and the capital as well as the base and top platform where the candle stood are perfectly in scale to one another. This awareness is seen in the section above the capitals where the flat surface has an inverted profile on each of the four sides with the widest area over the scrolls of the capital and the more narrow inverted sections above the column itself. Note how the edge has a shaped and moulded edge as opposed to a mere squared off edge. The column has its own beauty with a fluted edge highlighted with interior carved details on the lower sections of each separate flute as well as that unique slight bulge known as "entasis" (from the early Greek) to the column itself. As the diametre of the column decreases as the column moves upward the slight bulge corrects the visual appearance of the column as a whole. The base of the column is defined by two separate and circular ring turnings before the column reaches the square base upon which it rests. The uniform square base to this column is directly taken from the classical order of architecture and provides an extremely pleasing visual finish to the overall piece. There is again a movement of wider and more narrow sections that create interest along with a handsome section of horizontal moulding distinguished by not only a fluted design but also a crossed ribbon placed in the centre of each side. The original painted finish remains upon the surface of this piece and the use of both a creamy white accentuated by a luscious green highlights the carved decorative motifs in a very effective manner. The variegated surface of the painted finish adds enormously to the appeal of this candle stand and enables it to be used as a piece of sculpture on its own or as an actual candle stick where  a burning candle will enhance its beauty.